1Centre for Systematic Musicology, University of Graz, Graz, Austria.
#Choral journal irehearse license
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At the same time, I think it is important to have space between the singers-as much as three feet between each singer I rehearse in a formation shaped exactly like a horseshoe, so the ends hear each other very well. Placing the singers in quartets encourages ensemble and individual responsibility. I frequently rehearse and perform in quartets. Marvin I think the fundamental thing about a rehearsal is that the singers must be able to hear the whole ensemble, hear themselves, and not be adversely influenced by another singer of their own part. Ward When you work with choirs you are particular as to the exact place and space for each singer What are your views on the placement of singers within a given acoustical space? That is what counts, that is education, and it is inspiring.
It is the process of perfecting that the students find so rewarding. Of course, the students look forward to the concert-especially major works-but the concert is a one-time thing. The hard work, the fun and the laughter are all part of the process of exploring the meaning of the composer's vocabulary and discovering what is expressive in the music. The process is the time that I am with the students and the music-we work as a team. Ward In Five Centuries of Choral Music: Essays in Honor of Howard Swan1 you wrote an essay, "The Conductor's Process." In that essay, you state, "The performance is the ultimate motivating goal for the rehearsal, but it is not the goal of the process." What is the goal of the process?
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